Our picnic time 我們的野餐時光

2017

Photography 攝影

 

 

 

 

The artist collects these food images on the street and writes a story for each of them, which is the artist from this food set.
In the corner, go to the story of what happened in Paris.
Beyond the image, the artist is at the moment of shooting, seeing more people around the environment, and interacting with people.
What happens outside the image is described in the file.

For the observation of these garbage, the artist deliberately does not directly photograph the characters in the photography, let the audience imagine the surroundings from this angle.
In the story that occurs, there are many uninterrupted structures that keep happening, and these lasting times are concentrated in the image.

 

 

藝術家在街頭收集這些食物影像,並為每一則影各自寫下一則故事,那是藝術家從這個食物集中的角落,去推想發生在巴黎的故事。影像之外,藝術家在拍攝的當下,同時看見更多周遭環境的人事物,還有與人的互動,而這些影像之外發生的事情,都描述在文件裡面。對於這些垃圾的觀察,藝術家在攝影中刻意的不直接拍攝人物,讓觀眾從這個角度去想像周遭發生的故事,有許多不間斷結構的事件不停發生,而這些持續的時間濃縮在影像中。
 

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